The Who is a legendary British rock band, and just like I said in the last entry about Bob Dylan, you should familiarize yourself with them simply for the purpose of music history. Even if you can’t really relate to the music, the style, the lyrics, whatever. You can consider it a piece of history, and imagine yourself listening to it in the context of the time in which it was released. That’s what I always do with older music. Anyway, check it out. Pretty awesome stuff.
My Generation is the debut studio album by English rock band The Who, released by Brunswick Records in the United Kingdom in December 1965. In the United States, it was released by Decca Records as The Who Sings My Generation in April 1966, with a different cover and a slightly altered track listing.
The album was made immediately after the Who got their first singles on the charts and according to the booklet in the Deluxe Edition, it was later dismissed by the band as something of a rush job that did not accurately represent their stage performance of the time. On the other hand, critics often rate it as one of the best rock albums of all time.
Recording and song info
By 1965 The Who were all set after recruiting drummer Keith Moon and saw their former band name change from The Detours to The Who, after briefly being called The High Numbers. In the spring of 1965, the album was started during The Who’s early “Maximum R&B” period and features cover versions of the popular R&B songs I Don’t Mind andPlease, Please, Please, both originally by James Brown, in addition to the R&B leanings of the tracks written by the band’s guitarist Pete Townshend. Nine tracks were recorded, but several of them were rejected for Townshend originals made at new sessions that began in October.
According to the booklet in the Deluxe Edition, “I’m a Man” was eliminated from the US release due to its sexual content. The US album also used the edited UK single version of “The Kids Are Alright”, which cut a brief instrumental section laden with manic drum rolls and guitar feedback before the final verse.
Many of the songs on the album saw release as singles. Aside from “My Generation“, which preceded the album’s release and reached No. 1 on the UK Singles Chart, “A Legal Matter”, “La-La-La Lies”, and “The Kids Are Alright” were also released as domestic singles by Brunswick after the band had started releasing new material on the Reactionlabel in 1966. As they were not promoted by the band, they were not as commercially successful as “My Generation” or the Reaction singles. “The Kids Are Alright” was however a top 10 single in Sweden, peaking at No. 8.
“My Generation” and “The Kids Are Alright” in particular remain two of the group’s most-covered songs; while “My Generation” is a raw, aggressive number that presaged theheavy metal and punk rock movements, “The Kids Are Alright” is a more sophisticated pop number, with chiming guitars, three-part harmonies, and a lilting vocal melody, though still retaining the driving rhythm of other Who songs of the period. The album is considered an important forerunner of the “power pop” movement. “Circles” was notably covered by contemporaries of the group, British freakbeat outfit Les Fleur de Lys. The cover version has found some notice after its inclusion on Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964-1969.
The UK release featured a cover image of the band standing beside some oil drums and looking upward to the camera, with splashes of colour added by the red and blue stencilled letters of the title and a jacket patterned after the Union Flag thrown over John Entwistle‘s shoulders. Townshend was wearing his school scarf. For the US release this was replaced with a portrait of the band standing beneathBig Ben.
The UK mono album was briefly reissued in Britain in 1979 by Virgin Records, during the height of the country’s Mod revival. The bands of that scene owed a direct debt to The Who for inspiration, and the younger generations of their fans were keen to explore those original influences. This pressing of the album went out of print in 1980, meaning there was no official UK edition of “My Generation” again available until the Deluxe edition remaster of 2002.
In 2002 the album was remixed into stereo and remastered for a Deluxe Edition by Shel Talmy. This was the first time any of these songs had seen a stereo release. While sounding clearer in stereo, this edition omits many overdubs that are prominent in the original mono mixes, notably the lead guitar parts in “A Legal Matter” and “My Generation” (though both songs in their mono mixes close disc 2) and the double tracked vocals in “The Good’s Gone”, “Much Too Much”, “La-La-La Lies” and “The Kids Are Alright”.
In 2008 the album’s original UK mono mix was remastered for the Japanese market, appearing in limited numbers as a double-CD box set and a regular single CD album. Both variations included bonus tracks recorded in 1965. The stereo mixes were taken from the 2002 Deluxe Edition release.
In 2012, the album was released using a flat transfer from the original master tapes (for the mono disc) was released in Japan in 2012 as part of a two-disc mono and stereo set with bonus tracks. In the same year, My Generation was released in mono in the UK as a single disc without bonus tracks, using newer generation tapes several removes from the original master tape.
In 2014, My Generation was released on iTunes and HDtracks in mono and stereo versions with bonus tracks. The mono version was mastered from the same source as the 2012 Japanese release. The stereo version are mixes different from the 2002 Deluxe Edition release.
Reception and legacy
|The Rolling Stone Album Guide|||
In his 1967 column for Esquire, music critic Robert Christgau called My Generation “the hardest rock in history”. In 1981, he included its American version in his “basic record library”. Richie Unterberger hailed the album as “the hardest mod pop” ever recorded in a retrospective review for AllMusic: “At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record.” In The Rolling Stone Album Guide, Mark Kemp wrote of the album’s legacy and influence:
With its ferocious blend of grungy distortion, rumbling bass and percussion, and brutish vocals, The Who Sings My Generation became the blueprint for much of the subsequent garage rock, heavy metal, and punk. In contrast to debut albums fromthe Stones (whose take on Southern American rock & soul was fairly earnest) andBeatles (who spread the word of rock & roll through sweet harmonies and easily digestible melodies), My Generation positively shoved at the boundaries of popular music. Townshend’s fiercely original guitar experiments here predate the innovations of his later American rival Jimi Hendrix.
In 2003, My Generation was ranked number 236 on Rolling Stone magazine’s list of the 500 greatest albums of all time, and named the second greatest guitar album of all time by Mojo magazine. In 2004, it was #18 in Q magazine’s list of the 50 Best British Albums Ever. In 2006, it was ranked No. 9 in NME‘s list of the 100 Greatest British Albums. In 2004, the title track was No. 11 in Rolling Stone magazine’s list of the 500 greatest songs of all time. In 2006, “The Kids Are Alright” was No. 34 in Pitchfork’s list of the 200 greatest songs of the 1960s. In June 2009, the edited 1966 US version of the album “The Who Sings My Generation” was selected for the National Recording Registry of the US Library of Congress. The album, deemed “culturally significant”, will be preserved and archived.
All songs written by Pete Townshend, except where noted.
- Side one
- “Out in the Street” – 2:31
- “I Don’t Mind” (James Brown) – 2:36
- “The Good’s Gone” – 4:02
- “La-La-La-Lies” – 2:17
- “Much Too Much” – 2:47
- “My Generation” – 3:18
- Side two
- “The Kids Are Alright” – 3:04
- “Please, Please, Please” (Brown, Johnny Terry) – 2:45
- “It’s Not True” – 2:31
- “I’m a Man” (Bo Diddley) – 3:21
- “A Legal Matter” – 2:48
- “The Ox” (Townshend, Keith Moon, John Entwistle, Nicky Hopkins) – 3:50
- The Who Sings My Generation
- Deluxe Edition (2002)
- Mono digital release (2014)
- Stereo digital release (2014)
Sales chart performance
|1965||UK NME Chart Albums||5|
|1965||“My Generation“||Billboard Pop Singles||74|
|UK Record Retailer Singles Charts||2|
|1966||“A Legal Matter“||UK Record Retailer Singles Charts||32|
|“The Kids Are Alright“||UK Record Retailer Singles Charts||41|
- The Who
- Roger Daltrey – lead vocals, harmonica
- John Entwistle – bass guitar, backing vocals
- Keith Moon – drums, percussion, backing vocals on “Instant Party Mixture”
- Pete Townshend – six and twelve-string acoustic and electric guitars, backing vocals, lead vocals on “A Legal Matter”
- Additional musicians
- Perry Ford – piano on “I Can’t Explain”
- Nicky Hopkins – piano (except on “I Can’t Explain”)
- The Ivy League – backing vocals on “I Can’t Explain” and “Bald Headed Woman”
- Jimmy Page – lead guitar on “Bald Headed Woman”, rhythm guitar on “I Can’t Explain”